I was viewing through the forum comments with regards to the Sonus Faber Cremona and it seemed that the first group of people who have bought the Cremona much preferred the Original Cremona then the newer release Cremona M. The suffix “M” indicates a project for the optimization of the little two-way unit with the application of new technologies already introduced and tested with Elipsa. Auditor “M” embodies the Sonus faber tradition in the field of compact loudspeakers, making use of top-quality components and a minimal crossover network. Auditor M employs a gentle 6dB per octave roll off in order to create a refined sound, a musicality of unquestionable charm.
When the second group of audiophiles who has bought the Cremona M saw the new release of the Cremona SE, the same phenomenon happened as they would prefer the Cremona M then the Cremona M SE.
I wonder when the Cremona M SE is being replaced by a newer release, what will the audiophiles say?
It seems that there are so much sentimental values with regards to hifi. For iPad or iPhone of camera, there is a general willingness to accept the newer models then in the case of hifi. It is often these differences that has resulted in much quarrels among the audiophiles.
This phenomenon can be seen in the case of Rogers LS3/5a where the early Gold badge is supposed to be best, followed by the black badge, then there is a comparison between the 15 ohms versus the 11 ohms.. Now, there is even replica...
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